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3D3Research
Steven Paige
Lucie Hernandez
Investigating the Contribution of Craft Practice to the Design of E-Textile Interfaces for Enhanced Embodied Interaction
Toby Chanter
Digital Immersion and Interaction: a platform for interrogating the intersubjective and in-between of medical encounters
Christiana Kazakou
Hybrid Narrative Environments: a 'beyond disciplinary' approach for intermediating art and science discourse
Drew Turner
Our Future Home: how illustrated narrative can help a generation (re)imagine their future living conditions
Jerry Padfield
Broadening Participation in Community Radio: Overcoming Barriers through Digital Technology
Kate Rich
Feral MBA
Frances Bossom
Digital Transformations: The History and Future of Gallery Education in the Context of Participatory Media
Lara Luna Bartley
Exploring Strategies for Engaging the Public in Debate about the Production of Money through Participatory, Digital Interventions in the Urban Environment
Laura Kriefman
Augmented Choreography: Methodology for Digital Dance in the 21st Century
Richard Broomhall
Critical Network Aesthetics and Data Transfer Geographies in the South West United Kingdom and Bristol Channel
Rachael Allain
Above and Below the Horizon: an experimental practice-led investigation into the Liminal and Subliminal
Rachael Jones
Landscape, Loss and Imagination: the potential for an experimental documentary to explore and invigorate cultural connections with the land
Stephanie Moran
Symbiont Encounters: Ecological Fictioning and Networked Media
Samuel Pearce-Davies
Deep-Music-Dream: A New Artificial Intelligence Approach to Computer-Aided Composition
Sarah Levinsky
Interventions of a Digital Dramaturg: Mining Choreographic Agency with Tools that Propel
Louise Bell
Hidden Fractures: Plymouth illustrated within its repairs
Sophie Zajicek
The Investigation of 3D Woven Materials for the Circular Economy
Laura Hopes
Bearing the Sublime - what purpose can the sublime serve in the age of the anthropocene?
Katerina Athanasopoulou
The experiential affordances of Virtual Reality simulations in various patient and doctor interactions
Adam Russell
Playful Ignorance: nonlinear time and tools for not knowing
David McLellan
Affect and the Non-Human Agent
Richard Abrahams
Synthetic Synaesthesia for Cross Modality in Music
Simon Andrews
Falls in the Elderly: Designing human centred hip protection for older people
Ché Wilbraham
The Virtual Gamemaster: A New Approach to Branching Narrative in Computer Games
Jane Moss
What is the potential of digital media as a resource in co-authorship of a community novel?
Adam Laity
Approaches Towards the Cinematographic Sublime Landscape - A Practice-led Enquiry
Lucietta Williams
Practice as Research: 'Lens-less capture and emerging Plenoptic motion imaging'
Emma Nuttall
The Future of the Book
Rod Maclachlan
Embodied Attention: moving image installation as transitional phenomena
Amy Rose
Across the Gulfs of the Absurd: Interrogating the Practice and Politics of Immersive and Interactive Narrative Work
Rob Eagle
Non-cisgender lives in virtual reality documentary: visibility, power and agency
Verity Lewis
An Investigation into Alternatives to Pixel Based Colour Rendering using a Digitally Driven Physical Mark Making Process
Laura-Beth Cowley
Printing articulated figures: constructing flexible and extendable artificial figures using mixed material 3D printing for use in stop motion animation
Lisa Sheppy
Revitalising the underglaze tissue print process with new technologies to be reimagined for both the ceramics industry and designer-maker practice
Alex Nevill
In light of moving images: technological affordances of mediated illumination
Abigail Jackson
Responsive Movement, Technological Mediation and Human Interaction, in the Study of Developmental Disorders
Helen Marton
Communicating Archaeology: Reinterpreting finds from the Tremough site through digital craft practices
Ciaran Clarke
Where does mediated performance in live theatre situate the relationship between actor and audience?
Claudia Pilsl
Photography and its Contribution to the Understanding of Digital Porosity
Becky Gooby
Crafting Colour: The development of methodologies for digital colour printing in textile design, through an understanding of interwar historical colour palettes
Tom Milnes
How might artists use 3d technologies for greater reciprocity in site-specific art?
Aurélien Antoine
Use of Timbre Properties to Compose Music with Computer-Aided and Generative Orchestration Systems
Dane Watkins
When Animation met the Internet of things
Caitlin Shepherd
Sonorous States
Birgitte Aga
Prototyping Relational Things That Talk: A Discursive Design Strategy for Conversational AI Systems
Amble Skuse
Creating an experiential performance practice using EEG and Bio Sensors: redefining creative ‘work’ in relation to Myalgic Encephalomyelitis and using the body as a performic partner
